My work explores the ways memory shapes identity and how people rebuild themselves through loss, change, and cultural continuity. Working across textiles, jewelry, illustration, painting, ceramics, and moving image, I create narratives that draw from personal experience, Sahelian histories, and traditional craft practices.

I am particularly interested in the relationship between ancestral knowledge and contemporary life. Through processes such as Bogolanfini, indigo dyeing, weaving, and metalwork, I engage with materials that carry generations of knowledge while exploring how these traditions can continue to evolve in the present. The slow and often unpredictable nature of these processes has become an important metaphor within my work, reflecting themes of resilience, adaptation, and transformation.

Grief is a recurring thread throughout my practice. Rather than focusing solely on loss, I am interested in what remains: the stories we inherit, the memories we preserve, and the ways we continue forward while carrying the people and places that have shaped us. Through symbolic imagery, layered narratives, and handcrafted materials, I create work that exists between remembrance and imagination.

Ultimately, I see my practice as a form of storytelling that aims to bridge personal experience, cultural memory, and African futures.